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Caribbean Folktales - Page 2

Island storytelling born from African, Indigenous, and European roots — full of rhythm, magic, and wit.
Parchment-style artwork of La Diablesse, Trinidad devil woman, luring traveler on forest path.

La Diablesse: Trinidad Folktale of the Devil Woman

In the twilight shadows of Trinidad, travelers whisper of a figure both alluring and terrifying: La Diablesse, the devil woman. Tales of her have passed down through generations, blending African, French-Creole, and plantation-era folk traditions into a singular legend of caution and fascination. She is a woman of dual faces. At times, she appears as an old crone, her twisted
Parchment-style illustration of faceless Douen spirits in a Trinidad forest at twilight.

Douen: Trinidad Folktale of the Forest Spirits

Deep within the dense forest and winding by‑ways of Trinidad, there lurk spirits unlike any other. These are the Douen, sometimes called Duenns, the lost children who never received baptism and now wander between the worlds of the living and the dead. Their presence is whispered in every rustle of
Parchment-style illustration of Bouki at a crossroads with a talking fish, Haitian folktale.

Ti Malice and the Talking Fish

January 4, 2026
In the long oral tradition of Haiti, few figures are as familiar as Bouki and Ti Malice. Bouki was strong, hardworking, and slow to question what he was told. Ti Malice, by contrast, was small, sharp-minded, and endlessly clever, always searching for advantage. Their stories were told at night, passed
Parchment-style illustration of a star-marked girl at a well, Haitian folktale scene.

The Girl with the Star on Her Forehead

January 4, 2026
In a small Haitian village shaped by hard labor and deep faith, a girl was born under unusual signs. At the center of her forehead shone a radiant star, small yet unmistakable, glowing softly as though lit from within. Elders whispered that the child was marked by divine favor, chosen
Parchment-style illustration of dancing dumplings performing before a Haitian princess, Haitian folktale scene.

The Three Brothers and the Dancing Dumplings

January 4, 2026
In a rural Haitian village surrounded by fields of cassava and plantain, three brothers lived together after the death of their parents. The eldest was strong-willed and proud, the middle brother quick-tempered and restless, and the youngest quiet, observant, and gentle in manner. Though they shared the same blood, their
Parchment style illustration of a girl fleeing her uncle in Haitian folklore.

The Uncle Who Married His Niece

January 4, 2026
In a prosperous region of Haiti, there once lived a powerful man whose wealth and authority placed him above the concerns of ordinary people. Some versions of the story say he was a king; others describe him as a man of great riches and influence. His household was large, his
Parchment style illustration of dancing ants interrupting a Goombay ceremony in Bahamian folklore.

The Dancing Ants of Mayaguana

January 4, 2026
On the low, sunburned island of Mayaguana, where the land lies open to sky and sea, there came a season when the rain did not return. Weeks passed beneath a hard blue heaven, and the earth cracked beneath bare feet. Wells thinned, crops withered, and the salt wind carried dust
Parchment style artwork of La Diablesse luring a cane cutter in Caribbean folklore.

La Diablesse and the Cane Cutter

January 4, 2026
In the cane growing districts of Martinique and St. Lucia, where tall stalks whisper in the night wind and moonlight turns the fields silver, there lived a cane cutter known as much for his looks as for his arrogance. He was young, strong, and handsome, and he took great pride
Parchment style illustration of a fisherman listening to a conch shell in Bahamian folklore.

The Conch Shell’s Song

January 4, 2026
Along the clear, shallow waters of the Exuma Cays lived a fisherman whose life was shaped by the sea’s generosity and its silence. He was poor, owning only a small boat worn smooth by salt and sun, and each morning he pushed out before dawn hoping to find conch. Yet
Parchment style illustration of Papa Bois confronting a hunter in Trinidad forest folklore.

Papa Bois and the Greedy Hunter

January 4, 2026
Deep within the ancient forests of Trinidad and the neighboring islands of the Lesser Antilles, there lived a powerful spirit known to all who respected the land. His name was Papa Bois, the old man of the forest. Hunters spoke of him in low voices, describing his strange and sacred
Parchment style artwork of a soucouyant transforming at night in Roseau Dominica folklore.

The Witch of Roseau

January 4, 2026
At the quiet edge of Roseau, where the village thinned into bush and shadow, there stood a small, weathered house that most people avoided. It belonged to an old woman who lived entirely alone. By day she appeared ordinary, if distant, moving slowly through the market or along the roadside,
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